November 25, 2006

November 18, 2006

tragedy in art and soliloquy: part II

Inspired by this post, I hereby dedicate a portion of my day-to-day posts to the great Shakespearean tragedies. This section will time-travel into the minds of the valiants who refused to die "many times" before their death, through pre-raphaelite and neoclassicist images that sought "refuge" in tragedies.
Please listen to
Henry Mancini's "Romeo & Juliet" while going at it, to heighten your sense of sadness.
[tragedy in art and soliloquy: part I]

... For never was a story of more woe
Than this of Juliet and her Romeo.

Romeo and Juliet. Aaah... young love! And how it torments!
For the very young, very naive and very beautiful Juliet, "It is too rash, too unadvised, too sudden..." and for the young, passionate Romeo, "all this is but a dream". The two young lovers get trapped and torn between two warring families in Verona, Montague and Capulet. "My only love sprung from my only hate", mentions Juliet.
This saga of Shakespeare's 'Lyrical Period' is merciless, and the two love-birds are doomed from the beginning. "Alack, there lies more peril in thine eye..." The impending tragedy is obvious.
ACT III, Scene V: images by Dicksee [top-left] and Brown [top-right]

ACT IV, Scene IV left image by John Opie

No happy endings. Everyone dies at the end. Mercutio dies, 'accidentally and dramatically', in a duel between Romeo [a Montague] and Tybalt [a Capulet and Juliet's cousin], but had enough time to wish A plague o' both your houses! right before he passed away. Romeo slays Tybalt, and as a punishment, goes into exile. Juliet refuses to marry Paris, as she is secretly betrothed to her Romeo already, and goes into mourning. Herbal medicines and potions come to the rescue. Juliet gulps down some to go into a comma, so she can escape away with Romeo after she is taken to the family crypt. Misinformed about the staged death, a grief-stricken Romeo haggles with the Apothecary [There is thy gold, worse poison to men's souls] to buy some poison, kills Paris on the way, and drinks the poison to die on Juliet's lap. O true Apocotheary! Thy drugs are quick! Thus with a kiss I die. Juliet wakes up, sees the dead, and stabs herself with his dagger. Yea, noise? then I'll be brief. O happy dagger! This is thy sheath; there rust, and let me die. And the two lovers lie dead together.

Surprisingly, it is not considered one of Shakepeare's 'great tragedies' like Macbeth or Hamlet. The tragedy stems more from mistiming, or misfortune, than individual flaws of the two lovers. The long-running feud ends at the price of the two lovers' lives.

ACT V, Scene III: Romeo at Juliet's Deathbed by Füssli ;





The Reconciliation of the Montagues and Capulets by Leighton ; Death of Romeo and Juliet
by Millais;

November 14, 2006

happy grazing

its moo-time once again !! and so is A&T Balconism.




A Moo Sonnet

Your absent heart's the image of my need
Your hollow eyes I fill with my desire
These vacancies are all that I require
For food on which my fantasies can feed.
The hands that hold you here are undefined
The lips that kiss you now you must invent
My touch transformed into an argument
That finds its major premise in your mind.
We make of soundless tunes new harmonies
Embrace each other's fancies in the night
And find in these uncertainties delight--
We share, not selves, but possibilities.
I make myself your dreams though we're apart
Come fill the empty spaces of my heart.
[disclaimer: poem source unknown]

November 01, 2006

Are you THE ONE? [real world part - I ]


“Look at us...I'm frozen, you're dead...and I love you.”

Some dude wants me to believe that I have a Second Life waiting for me in some cyber world, far more real, far far more interesting than the one I have right now. It is just a click away. Hide away into a world of avatars, fountains, birds and live with people that you can pick and choose.
Fembots are in. So, are cosmic narcissism, eternal youth, ’Beautiful People’ fantasy, and extraordinarily narcissistic vanity projects.

"the [real] world that has been pulled over your eyes to blind you from the truth." It’s a choice between two pills, as Morpheus has warned Neo. One blue, which would enable him to wake up safe in his bed but never learn the truth about the Matrix. "You take the blue pill and the story ends. You wake in your bed and you believe whatever you want to believe.” The other is the red, which would allow him to "see how deep the rabbit-hole goes".


And finally, it is believed that if one's mind cannot adjust to the implanted reality that results in a Schizoid Embolus, a lobotomy is the only solution.